In 1982, Waters suggested a project with the working title Spare Bricks , originally conceived as the soundtrack album for Pink Floyd – The Wall. With the onset of the Falklands War , Waters changed direction and began writing new material. He saw Margaret Thatcher ‘s response to the invasion of the Falklands as jingoistic and unnecessary, and dedicated the album to his late father. Immediately arguments arose between Waters and Gilmour, who felt that the album should include all new material, rather than recycle songs passed over for The Wall . Waters felt that Gilmour had contributed little to the band’s lyrical repertoire. Michael Kamen , a contributor to the orchestral arrangements of The Wall , mediated between the two, performing the role traditionally occupied by the then-absent Wright. The tension within the band grew. Waters and Gilmour worked independently; however, Gilmour began to feel the strain, sometimes barely maintaining his composure. After a final confrontation, Gilmour’s name disappeared from the credit list, reflecting what Waters felt was his lack of songwriting contributions.
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