The band played several local shows from 2000 onwards, and formally reformed in 2012, and began to work on new material. Their most recent album, the David Icke -inspired Welcome to the Panopticon , was self-released in late 2016, described by Welch as “an acid-fueled excuse to turn amps to 11 and play with feedback loops”, and by Michael Toland of the Austin Chronicle as “a distinctive mélange of fantastical indulgence and political commentary”.
Formally reformed
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