During the sessions, the band replaced drummer Rich Truel with Byron

During the sessions, the band replaced drummer Rich Truel with Byron Reynolds, who had served a brief tenure on drums prior to Truel. The band chose Boston producer Tim O’Heir ( Sebadoh , Folk Implosion , Superdrag ) to capture the band’s dark, moody, new wave -ish emotions. The LP was an array of influences of 1970s power pop to no-wave chaos, and again the critics were positive. Raygun magazine described the group as “a rough-yet polished band whose anguished pop songs and intelligent, esoteric lyrics are love themes for the dysfunctional 90s.”