Enthusiastic reception on television and regular airplay on pirate radio helped the single slowly climb the charts in early 1965 until it reached the top 10.
In early 1965, following a dinner with Lennon, Harrison and their wives, Harrison’s dentist, John Riley, secretly added LSD to their coffee. Lennon described the experience: “It was just terrifying, but it was fantastic. I was pretty stunned for a month or two.” He and Harrison subsequently became regular users…
Read More
In early 1965, the Who made their first appearance on the TV music show, Top of the Pops , at the BBC ‘s Dickenson Road Studios in Manchester , with “I Can’t Explain”.
Allen Klein took over his role as the band’s manager in 1965. Richards recalled, “There was a new deal with Decca to be made … and he said he could do it.” The US version included the double A-side single ” Let’s Spend the Night Together ” and ” Ruby…
Read More
The next single, ” My Generation “, followed in October. Townshend had written it as a slow blues, but after several abortive attempts, it was turned into a more powerful song with a bass solo from Entwistle. The song used gimmicks such as a vocal stutter to simulate the speech…
Read More
John Cummings and Thomas Erdelyi had both been in a high-school garage band from 1965 to 1967 known as the Tangerine Puppets.
In 1965, bassist Steve Fossen formed the Army, along with Roger Fisher on guitar, Don Wilhelm on guitar, keyboards and lead vocals, and Ray Schaefer on drums.
In 1965, after being introduced to the Velvet Underground by filmmaker Barbara Rubin , Andy Warhol became the band’s manager and suggested they use the German-born singer Nico (born Christa Päffgen) on several songs. Warhol’s reputation helped the band gain a higher profile. He helped the band secure a recording…
Read More
In December 1964, the distributor released the band’s first single with Jagger/Richards originals on both sides: ” Heart of Stone “, with “What a Shame” as the B-side; the single went to No. 19 in the US.
Released in early December, its eight original compositions stood out, demonstrating the growing maturity of the Lennon–McCartney songwriting partnership.