funktronica

2008
funktronica Of Montreal’s next album, Skeletal Lamping , was released on October

Of Montreal’s next album, Skeletal Lamping , was released on October 21, 2008. It was released in ten different formats, including conventional CD and vinyl, as well as T-shirts, button sets, wall decals , tote bags, and a paper lantern, the latter formats complete with a digital download code for…
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2007
funktronica Barnes recorded most of the band’s 2007 release, Hissing Fauna, Are

Barnes recorded most of the band’s 2007 release, Hissing Fauna, Are You the Destroyer? , by themselves while living in Norway and Athens, Georgia. They also released a companion CD to Hissing Fauna, Are You the Destroyer? called Icons, Abstract Thee . In 2007, Kevin Barnes performed five songs nude…
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2002
funktronica Kindercore Records folded in 2002, shortly after the release of

Kindercore Records folded in 2002, shortly after the release of Aldhils Arboretum , and Gonzales and Almstead left the band. Barnes took to writing and performing their 2004 album Satanic Panic in the Attic mostly by themselves. It was released by Polyvinyl Records . In 2005 The Sunlandic Twins was…
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2001
funktronica Following the release of The Gay Parade , the band signed with

Following the release of The Gay Parade , the band signed with Kindercore Records , and in 2001, the concept album Coquelicot Asleep in the Poppies: A Variety of Whimsical Verse was released.

1998
funktronica After production on The Gay Parade , the band’s third album, began in

After production on The Gay Parade , the band’s third album, began in 1998, Poole left the band to focus on his involvement with Elf Power, another Elephant Six band. Barnes then recruited James Husband and Dottie Alexander , who had been performing together as Lightning Bug vs. Firefly. Almstead…
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1970
funktronica By means of a Facebook post and an interview with Barnes, conducted

By means of a Facebook post and an interview with Barnes, conducted by Stereogum , of Montreal’s album Aureate Gloom was announced. The record was influenced by “the mid-to-late 1970s music scene in New York,” including bands such as Talking Heads and Led Zeppelin . The album captures Barnes’ emotions…
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